In "Tierra Sin Males," embedded within the sphere is an image of a highway sign near the US-Mexico border warning drivers not to hit immigrants as they flee across the road. It rolls up, catching slightly over the edge, contorts, distorts. It is a spinning, spiraling, fracturing video piece calling forth the horrors experienced by immigrants as they attempt to make their way to a new life.
The piece is digitally generated. It is accompanied by a deep reverberating sound track.
"TIERRA SIN MALES" hovers in disequilibrium, precarious dislocation, extending questions. It premiered at TRA, Venice Biennale 2011.
In "TIERRA SIN MALES," embedded within the sphere is an image of a highway sign near the US-Mexico border warning drivers not to hit immigrants as they flee across the road. It rolls up, catching slightly over the edge, contorts, distorts. It is a spinning, spiraling, fracturing video piece calling forth the horrors experienced by immigrants as they attempt to make their way to a new life.
The piece is digitally generated. It is accompanied by a deep reverberating sound track. "TIERRA SIN MALES" hovers in disequilibrium, precarious dislocation, extending questions.
It premiered at TRA, Venice Biennale 2011.
SPONSORSHIP
Ziegler Foundation
ENDAR
Tom Polson, Artists & Algorithms
Les Guthman
Jacques Boulanger
